{"id":17156,"date":"2025-02-20T11:14:23","date_gmt":"2025-02-20T04:14:23","guid":{"rendered":"https:\/\/notesbook.vn\/?p=17156"},"modified":"2025-02-20T11:20:12","modified_gmt":"2025-02-20T04:20:12","slug":"szczecin-philharmonic-hall","status":"publish","type":"post","link":"https:\/\/notesbook.vn\/en\/architecture\/szczecin-philharmonic-hall\/","title":{"rendered":"Szczecin Philharmonic Hall"},"content":{"rendered":"\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"2000\" height=\"1569\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105654\/026-03-2000x.jpg\" alt=\"\" class=\"wp-image-17137\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"1569\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105654\/026-03-2000x.jpg\" alt=\"\" class=\"wp-image-17137\"\/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>The Philharmonic Hall, designed by <strong>Barozzi \/ Veiga<\/strong>, to accommodate a symphony hall and a chamber music hall, is a very complex building occupying the same space as its predecessor. This is a synthetic design that shares identifying elements from the surrounding context, and where mass, verticality and the shape of the rooflines predominate.<\/p>\n\n\n\n<p>The building is charged with expressive power, concentrated in the pattern that gives shape to the roof and its crowning perimeter. This power is the result of the influence of certain Central European expressionist architectures. From the outside, the building is perceived as a weightless volume in which the aluminium and glass facade \u2013 sometimes translucent, sometimes opaque \u2013 transmits expressive qualities depending on its use.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2000\" height=\"2550\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105708\/026-05-2000x.jpg\" alt=\"\" class=\"wp-image-17139\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"2550\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105708\/026-05-2000x.jpg\" alt=\"\" class=\"wp-image-17139\"\/><\/noscript><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2000\" height=\"2550\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105710\/026-06-2000x.jpg\" alt=\"\" class=\"wp-image-17141\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"2550\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105710\/026-06-2000x.jpg\" alt=\"\" class=\"wp-image-17141\"\/><\/noscript><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>The apparent austerity of the ensemble stands in sharp contrast to the expressiveness of the main hall, which is conceived as a piece of gold craftsmanship, in line with the classical tradition of Central European concert hall design. The d\u00e9cor \u2013 both ornamental and functional \u2013 has been executed along the lines of traditional local craftsmanship, based on a goldleaf coated component. For acoustic reasons, this element\u2019s degree of fragmentation follows a geometrical sequence which increases in relation to its distance from the stage.<\/p>\n\n\n\n<p>As with previous projects, Szczecin is designed with a certain degree of formal autonomy, trying to construct a building that is a specific part of its context yet simultaneously independent of it.<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"1200\" height=\"941\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111113\/610934675c37fd4d417a835f_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-04.webp\" alt=\"\" class=\"wp-image-17143\"\/><noscript><img decoding=\"async\" width=\"1200\" height=\"941\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111113\/610934675c37fd4d417a835f_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-04.webp\" alt=\"\" class=\"wp-image-17143\"\/><\/noscript><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"1200\" height=\"941\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111138\/6109346718432bebda80ae79_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-06.webp\" alt=\"\" class=\"wp-image-17147\"\/><noscript><img decoding=\"async\" width=\"1200\" height=\"941\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111138\/6109346718432bebda80ae79_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-06.webp\" alt=\"\" class=\"wp-image-17147\"\/><\/noscript><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"1200\" height=\"941\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111122\/61093467b341faf0aabada0b_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-07.webp\" alt=\"\" class=\"wp-image-17145\"\/><noscript><img decoding=\"async\" width=\"1200\" height=\"941\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111122\/61093467b341faf0aabada0b_thisispapercasa-poland-arch-guide-philharmonic-hall-szczecin-estudio-barozzi-veiga-07.webp\" alt=\"\" class=\"wp-image-17145\"\/><\/noscript><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"2000\" height=\"1600\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111247\/simonemarcolin-barozziveiga-szczecin-2000x.jpg\" alt=\"\" class=\"wp-image-17149\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"1600\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111247\/simonemarcolin-barozziveiga-szczecin-2000x.jpg\" alt=\"\" class=\"wp-image-17149\"\/><\/noscript><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img decoding=\"async\" width=\"2000\" height=\"1414\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111253\/03-szczecin-facade-south-500-web-2000x.jpg\" alt=\"\" class=\"wp-image-17151\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"1414\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111253\/03-szczecin-facade-south-500-web-2000x.jpg\" alt=\"\" class=\"wp-image-17151\"\/><\/noscript><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\"><strong>Photo<\/strong><br>Simon Menges<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Location<\/strong><br>Szczecin, Poland<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2000\" height=\"2550\" loading=\"lazy\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111337\/026-11-2000x.jpg\" alt=\"\" class=\"wp-image-17153\"\/><noscript><img decoding=\"async\" width=\"2000\" height=\"2550\" src=\"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20111337\/026-11-2000x.jpg\" alt=\"\" class=\"wp-image-17153\"\/><\/noscript><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Philharmonic Hall, designed by Barozzi \/ Veiga, to accommodate a symphony hall and a chamber music hall, is a very complex building occupying the same space as its predecessor. This is a synthetic design that shares identifying elements from the surrounding context, and where mass, verticality and the shape of the rooflines predominate. The building is charged with expressive power, concentrated in the pattern that gives shape to the roof and its crowning perimeter. This power is the result [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-17156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture"],"jetpack_featured_media_url":"https:\/\/s3.ap-northeast-1.amazonaws.com\/media.notesbook.vn\/wp-content\/uploads\/2025\/02\/20105613\/barozzi-veiga-simon-menges-philharmonic-hall-szczecin-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/posts\/17156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/comments?post=17156"}],"version-history":[{"count":0,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/posts\/17156\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/media\/17131"}],"wp:attachment":[{"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/media?parent=17156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/categories?post=17156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/notesbook.vn\/en\/wp-json\/wp\/v2\/tags?post=17156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}